Author
AA Milne wrote seven full-length novels in his life. He also wrote
regularly for Punch magazine and was eventually an assistant editor
there. Milne also served as the editor of Granta magazine. He wrote five
non-fiction books and 34 plays. But Milne is almost solely remembered
for the four short children’s books he wrote about his son about a
stuffed bear named Winnie the Pooh.
The children’s
books added up to just 70,000 words, the length of an average novel. But
their enormous fame erased the memory of all the work he’d already
done.
The success of the Pooh stories also undermined the
reception of the non-juvenile work Milne wrote later. “It seems to me
now that if I write anything less realistic, less straightforward than
‘The cat sat on the mat’, I am ‘indulging in a whimsy’,” Milne wrote in
the introduction to his play The Ivory Door in 1928. “Indeed if I did
say that the cat sat on the mat (as well it might), I should be accused
of being whimsical about cats; not a real cat, but just a little
make-believe pussy, such as the author of Winnie-the-Pooh invents so
charmingly for our delectation.”
Pooh illustrator EH
Shepard suffered the same fate, being typecast as a children’s book
illustrator, when he’d made his name as a political cartoonist before.
But the worst of the typecasting curse fell to Milne’s son Christopher
Robin Milne. Read about
how Winnie the Pooh followed him around all his life at BBC Culture.
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