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Fiesta ... !
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Many
authors treat their main characters as the ideal, the person we all
dream of being. It’s as if the tiniest flaw would turn the reader off,
but at the same time, any character must have the appearance of
flaws to be at all believable. The pulpier the book, the more likely
the characters are to have these “pseudo-flaws,” but you’ve seen it in
classics, too. Personally, I prefer characters who more resemble folks
we really know, like Billy Pilgrim, who isn’t too smart and is shaped
like a bowling pin, or Shakespeare’s characters, who are so full of
themselves that they can’t see what’s coming. Mallory Ortberg brings us a
series of vignettes that condense the dialogue you’ve read to get to
the heart of this trope.














The
word “chemical” is often treated as a bad thing, as many commercial
interests want you to reject “chemicals” and “go natural.” As if the
natural world wasn’t made of chemicals. The two terms are not opposites.
