The children’s books added up to just 70,000 words, the length of an average novel. But their enormous fame erased the memory of all the work he’d already done.Pooh illustrator EH Shepard suffered the same fate, being typecast as a children’s book illustrator, when he’d made his name as a political cartoonist before. But the worst of the typecasting curse fell to Milne’s son Christopher Robin Milne. Read about how Winnie the Pooh followed him around all his life at BBC Culture.
The success of the Pooh stories also undermined the reception of the non-juvenile work Milne wrote later. “It seems to me now that if I write anything less realistic, less straightforward than ‘The cat sat on the mat’, I am ‘indulging in a whimsy’,” Milne wrote in the introduction to his play The Ivory Door in 1928. “Indeed if I did say that the cat sat on the mat (as well it might), I should be accused of being whimsical about cats; not a real cat, but just a little make-believe pussy, such as the author of Winnie-the-Pooh invents so charmingly for our delectation.”
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Windmills Tilted, Scared Cows Butchered, Lies Skewered on the Lance of Reality ... or something to that effect.
Windmills Tilted, Scared Cows Butchered, Lies Skewered on the Lance of Reality ... or something to that effect.
Saturday, February 6, 2016
AA Milne and the Curse of Pooh Bear
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