Tales of monsters, Gods, spells and love affairs: Celtic Lore
reflected the social thinking and traditions of pre-Roman Celts of
Britain, Ireland and Europe. Spread by traveling poets and storytellers
who plied their trade from village to village, the myths came into
being partly to explain natural phenomena, and to try to address basic
human concerns about life and death
In her new book, Miranda Aldhouse-Green, an expert in
archaeology and shamanism, uses the Lore to paint a complete picture of the
Celtic world, and reveals how traditional Celtic characters and symbols
can even be found in contemporary popular culture series such as Star Wars and Harry Potter.
Here, writing for History Extra, Aldhouse-Green recalls five of the most fascinating Celtic myths…
In the Middle Ages, christian monasteries in Ireland and Wales were
the engines of literacy and education. Many monks took it upon
themselves to record pagan myths and legends dating to pre-christian
times, leaving us a rich legacy of gods, goddesses, supernatural heroes,
enchanted animals and magical objects. But their christian chroniclers
seasoned these stories with a heavy sprinkling of early christian
ethics, so Lore warfare tended to end in disaster; amoral and
over-powerful women inevitably came to grief, and good usually triumphed
over evil in the end.
It is generally accepted that these tales were first written down
between the 8th and 12th centuries AD. The two most important groups of
Celtic Lore are found in the Welsh
Mabinogion and the Irish
Táin Bó Cuailnge (more popularly known as the
Cattle Raid of Cooley).
Pagan Celtic tales were originally transmitted orally, by storytellers
who acted both as traveling entertainers and as peddlers of news. But
the origins of the tales were probably very ancient indeed.
Like most Lore traditions, they came into being partly to explain
natural phenomena, including disasters such as floods, famines and
plagues, and to try to address basic human concerns such as ‘who are we?
Why are we here? Who came before us? What happens to us when we die?’
But Celtic tales tap into another hugely rich vein of tradition: the
pantheon of gods and goddesses worshiped by the pre-Roman Celts of
Britain, Ireland and Europe, between about 500 BC and the Roman period.
Thus, for instance, we find the Celtic horse-goddess, Epona, who was
venerated over huge areas of Roman Europe, transformed into the iconic
figure of Rhiannon, the horse-heroine of Welsh mythology. Celtic tales
are full of monsters, heroes, gods, shape-changers, spells, wars and
love affairs. Apart from their interest as ancient pagan myths, they are
richly entertaining stories. Here is the first of five of the most fascinating…
Cú Chulainn: the Hound of Culann
Cú Chulainn was an Irish hero, son of a mortal and a god. He was a
mighty warrior, champion of the Ulstermen in their war with the people
of Connaught, who were led by their formidable queen Medbh (Maeve).
While he was still an infant, the Druid Cathbad prophesied that he
would lead a short but glorious life. When he was five years old, Cú
Chulainn routed the Ulster king Conchobar’s 50-strong youth brigade.
While still a young boy, he demanded arms from the king, and shattered
15 sets of weapons before accepting those belonging to Conchobar
himself. The young hero got his name, the ‘Hound of Culann’, when he
accidentally killed the guard-dog of Culann the blacksmith. Ashamed of
his deed, he pledged to redeem himself by acting in the dog’s place.
He grew up very fast, and quickly became Ulster’s war-leader. Like
many ancient mythical heroes, he regularly communed with spirits, and he
had a particular affinity with the Morrigan, a war-goddess who
frequently appeared to him in the guise of a crow. A particular feature
of Cú Chulainn was his habit of going into ‘warp-spasm’, or a berserk
state, when roused. When like this, he was literally out of his mind,
and his body did strange and monstrous things: one eye bulged out while
the other sank into his cheek and his body rotated in his skin, while
the ‘hero-light’ shone fiercely around his head.
Betrayed by his enemies, he met his death on the battlefield but when
mortally wounded, he had himself bound to a stake so that he would die
standing upright, facing his foes. In the end, the Morrigan betrayed
him, perching on his shoulder to show his enemies that he was dead.