
Nature
documentaries are fascinating glimpses at life we don’t get to see,
because it’s far away, dangerous, or otherwise hidden from our daily
lives. Most wild animals avoid humans anyway, so part of the fascination
in such shows is wondering how they got those shots, or got so close to
the animals. The BBC’s latest documentary,
The Hunt, is about
predators and the way they stalk their prey, but it leaves out the parts
that may gross out the audience. Is that an error of omission, or just
an appropriate way to tell a story? Making a wildlife documentary is a
lot more complicated than just following animals around with a camera.
For example, earlier nature films used tricks to get the footage they
wanted, such as when Disney producers chased lemmings off a cliff and
presented it as a mass suicide in the 1958 Disney film
White Wilderness.
Most
nature documentaries don’t engage in such outright hoaxing, but staging
shots or adding sound effects is common. For instance, stories about
animal "families" often splice together footage of unrelated animals to
create narratives that would otherwise be impossible or impractical to
film. In those cases, documentaries are often telling a composite story
of what typically occurs in an animal’s upbringing, rather than the
story of one specific set of parents raising their young. It’s also
common practice to use footage of tame or zoo animals for close-up
shots, in order to avoid disturbing wild animals. In fact, Attenborough
has been dinged for this particular approach before, on a previous
series called Frozen Planet, when shots of polar bear cubs being born in
a zoo were cut together with scenes of polar bears in the wild.
Crucially, at no point does Attenborough tell the audience that the cubs
are born in the wilderness — but neither does he say where they were
born. The provenance of the cubs was revealed in behind-the-scenes
footage. Hardly secret, but some members of the audience felt deceived
nonetheless.
Even more interesting is the footage the BBC left out of
The Hunt, like the time a polar bear wanted to hunt the cameraman! Read more about
how nature documentaries are constructed at The Verge.
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