by Sarah Begley
Censors are increasingly focusing on books that represent diverse points of view
For as long as humans have printed books, censors have argued over
their content and tried to limit some books’ distribution. But the
reasons for challenging literature change over time, and as Banned Book
Week begins on Sept. 25, it’s clear that public discomfort with
particular ideas has evolved rapidly even in the last 20 years.
When the American Library Association started keeping a database of challenged books in the early ’90s, the reasons cited were fairly straightforward, according to James LaRue, director of the ALA Office for Intellectual Freedom. “‘Don’t like the language,’ or ‘There’s too much sex’—they’d tend to fall into those two categories,” he says. Some books are still challenged for those reasons—Fifty Shades of Grey is a common example. But there’s been a shift toward seeking to ban books “focused on issues of diversity—things that are by or about people of color, or LGBT, or disabilities, or religious and cultural minorities,” LaRue says. “It seems like that shift is very clear.”
The ALA’s list of the 10 most challenged books in 2015 bears this out: it includes I Am Jazz and Beyond Magenta, about young transgender people; Fun Home and Two Boys Kissing, which deal with homosexuality; Habibi and Nasreen’s Secret School, which feature Muslim characters; and The Curious Incident of the Dog in the Night-Time, by Mark Haddon, which was cited for “atheism.” In contrast, the top 10 most-challenged books of 2001 were more straightforwardly banned for strong language, sexual content and drugs, like The Chocolate War and Go Ask Alice.
The shift seems to be linked to demographic changes in the country—and the political fear-mongering that can accompany those changes, LaRue says. “There’s a sense that a previous majority of white Anglo-Saxon Protestants are kind of moving into a minority, and there’s this lashing out to say, ‘Can we just please make things the way that they used to be?’” LaRue says. “We don’t get many challenges by diverse people,” he adds. In recent years, book challenges have peaked while religious liberty bills were in the news, he says.
Here’s a look at how things have changed in the past 15 years:
Most-challenged books of 2001:
Over time, some books lose their opponents—the Harry Potter series, for instance, were the most-challenged books from 2000 to 2009, but have since fallen off the top 10 list. “There was a period there where Harry Potter was [considered] a Satanist and a cult, and people were doing book cuttings and book burnings,” LaRue says. “And now if you read people that are kind of on the right side of the religious spectrum, their kids love the Harry Potter books, so sometimes the things that we’re convinced are signs that the end is nigh are completely normalized in five years.”
The ALA usually learns that a book has been challenged either from librarians at schools or public or academic libraries calling in incidents, or from reports in local newspapers. In recent years there’s actually been a decline in reports—the ALA recorded 311 challenges in 2014 and only 275 in 2015. On the surface, that may seem like a good thing—but it probably indicates that fewer people are speaking up when a book is removed, meaning more banning is going on under the radar, LaRue says. “We have reason to believe that where censorship starts to succeed, there’s less reporting about it,” LaRue says. “So we can say it’s hard for us to know, we know that challenges are under-reported, but we don’t know by how much.” It doesn’t help that school librarians are frequently the victims of school layoffs, meaning there are fewer professionals “trained to use this language of intellectual freedom.”
Still, one thing hasn’t changed since the dawn of censorship: having your book banned is very, very good for an author’s sales. “If what you’re trying to do is stop this book from getting into the hands of a minor,” LaRue says, “the surest way to [fail] is to declare it forbidden.”
When the American Library Association started keeping a database of challenged books in the early ’90s, the reasons cited were fairly straightforward, according to James LaRue, director of the ALA Office for Intellectual Freedom. “‘Don’t like the language,’ or ‘There’s too much sex’—they’d tend to fall into those two categories,” he says. Some books are still challenged for those reasons—Fifty Shades of Grey is a common example. But there’s been a shift toward seeking to ban books “focused on issues of diversity—things that are by or about people of color, or LGBT, or disabilities, or religious and cultural minorities,” LaRue says. “It seems like that shift is very clear.”
The ALA’s list of the 10 most challenged books in 2015 bears this out: it includes I Am Jazz and Beyond Magenta, about young transgender people; Fun Home and Two Boys Kissing, which deal with homosexuality; Habibi and Nasreen’s Secret School, which feature Muslim characters; and The Curious Incident of the Dog in the Night-Time, by Mark Haddon, which was cited for “atheism.” In contrast, the top 10 most-challenged books of 2001 were more straightforwardly banned for strong language, sexual content and drugs, like The Chocolate War and Go Ask Alice.
The shift seems to be linked to demographic changes in the country—and the political fear-mongering that can accompany those changes, LaRue says. “There’s a sense that a previous majority of white Anglo-Saxon Protestants are kind of moving into a minority, and there’s this lashing out to say, ‘Can we just please make things the way that they used to be?’” LaRue says. “We don’t get many challenges by diverse people,” he adds. In recent years, book challenges have peaked while religious liberty bills were in the news, he says.
Here’s a look at how things have changed in the past 15 years:
Most-challenged books of 2001:
- Harry Potter, by J.K. Rowling
Reasons: anti-family, occult/Satanism, religious viewpoint, violence - Of Mice and Men, by John Steinbeck
Reasons: offensive language, racism, unsuited to age group, violence - The Chocolate War, by Robert Cormier
Reasons: offensive language, sexually explicit, unsuited to age group, violence - I Know Why the Caged Bird Sings, by Maya Angelou
Reasons: offensive language, sexually explicit - Summer of My German Soldier, by Bette Greene
Reasons: offensive language, racism, sexually explicit - The Catcher in the Rye, by J.D. Salinger
Reasons: offensive language, unsuited to age group - Alice (series), by Phyllis Reynolds Naylor
Reasons: sexually explicit, unsuited to age group - Go Ask Alice, by Anonymous
Reasons: drugs, offensive language, sexually explicit - Fallen Angels, by Walter Dean Myers
Reason: offensive language - Blood and Chocolate, by Annette Curtis Klause
Reasons: sexually explicit, unsuited to age group
- Looking for Alaska, by John Green
Reasons: Offensive language, sexually explicit, and unsuited for age group. - Fifty Shades of Grey, by E. L. James
Reasons: Sexually explicit, unsuited to age group, and other (“poorly written,” “concerns that a group of teenagers will want to try it”). - I Am Jazz, by Jessica Herthel and Jazz Jennings
Reasons: Inaccurate, homosexuality, sex education, religious viewpoint, and unsuited for age group. - Beyond Magenta: Transgender Teens Speak Out, by Susan Kuklin
Reasons: Anti-family, offensive language, homosexuality, sex education, political viewpoint, religious viewpoint, unsuited for age group, and other (“wants to remove from collection to ward off complaints”). - The Curious Incident of the Dog in the Night-Time, by Mark Haddon
Reasons: Offensive language, religious viewpoint, unsuited for age group, and other (“profanity and atheism”). - The Holy Bible
Reasons: Religious viewpoint. - Fun Home, by Alison Bechdel
Reasons: Violence and other (“graphic images”). - Habibi, by Craig Thompson
Reasons: Nudity, sexually explicit, and unsuited for age group. - Nasreen’s Secret School: A True Story from Afghanistan, by Jeanette Winter
Reasons: Religious viewpoint, unsuited to age group, and violence. - Two Boys Kissing, by David Levithan
Reasons: Homosexuality and other (“condones public displays of affection”).
Over time, some books lose their opponents—the Harry Potter series, for instance, were the most-challenged books from 2000 to 2009, but have since fallen off the top 10 list. “There was a period there where Harry Potter was [considered] a Satanist and a cult, and people were doing book cuttings and book burnings,” LaRue says. “And now if you read people that are kind of on the right side of the religious spectrum, their kids love the Harry Potter books, so sometimes the things that we’re convinced are signs that the end is nigh are completely normalized in five years.”
The ALA usually learns that a book has been challenged either from librarians at schools or public or academic libraries calling in incidents, or from reports in local newspapers. In recent years there’s actually been a decline in reports—the ALA recorded 311 challenges in 2014 and only 275 in 2015. On the surface, that may seem like a good thing—but it probably indicates that fewer people are speaking up when a book is removed, meaning more banning is going on under the radar, LaRue says. “We have reason to believe that where censorship starts to succeed, there’s less reporting about it,” LaRue says. “So we can say it’s hard for us to know, we know that challenges are under-reported, but we don’t know by how much.” It doesn’t help that school librarians are frequently the victims of school layoffs, meaning there are fewer professionals “trained to use this language of intellectual freedom.”
Still, one thing hasn’t changed since the dawn of censorship: having your book banned is very, very good for an author’s sales. “If what you’re trying to do is stop this book from getting into the hands of a minor,” LaRue says, “the surest way to [fail] is to declare it forbidden.”
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